Insomnia and the Infernal

This Weeks Prompt: 23. The man who would not sleep—dares not sleep—takes drugs to keep himself awake. Finally falls asleep—and something happens. Motto from Baudelaire p. 214.

This Week’s Story:Mr. Jared Jahpeth

This prompt is a strange one. Like last time, it refers to a text I do not have (that is the poetry of Baudelaire), and while certainly the poems are preserved (we will get to them shortly), there is the problem of determining a motto from the manifest works.  Before that, we have insomnia for some dread reason.

Insomnia, especially self imposed insomnia, has echoes in other existing stories. In fact, I do believe this prompt to have been fulfilled in the story Hypnos written some five years after this prompt. That in mind, I will endeavor any way to see where this seed goes. My own mind is not, after all, that of Mr. Lovecraft.

Devil1

The best beginnings of the plot are with Baudelaire. Baudelaire was a translator of Poe and a poet of no little skill in his own write. My research to narrow his wide catalog relied on letters between Mr. Lovecraft and a friend, bringing me to three of said friends translations: L’Ennemi,Au Lecteur,Remords posthume. Now, the prevailing theme of this poetry is a familiar Lovecraftian one. Decay, time, and the eventual destruction and ruin of things.

But where Baudelaire stands a part is in two precise areas. Unlike Mr. Lovecraft, Baudelaire presents the most important aspect of decay as it’s slowness. Gradual, barely noticeable changes culminate in the dead and desecrated world we now have. This is not unheard of in Lovecraft, but the subtle movements are hard to do in horror literature so focused on the current activities of the character.

The other area is more rich with lore and story. That is, there is in Baudelaire, an active agent of decay. An Enemy, a Devil. Mr. Lovecraft’s personal beliefs on such matters are complex, as while an avowed atheist, the role of devil is occasionally played by the ever valuable Nyrlanhotep. Yet, I think this raised corpse of Howard does it well.

I am intrigued then, in the notion of making a religious horror story from this seed. The motto in this case would be the simple one “The Devil’s in heaven, all is wrong with the world.” But what is the nature of the Enemy?

Devil2

If there is any character who looms as large as God and Christ do over Western literature, it is the Devil. Even the irreligious can recognize his features at times. But the features are vary…variable. That is a topic of such vast consultation that I will only do in broad strokes, and only in western lore, what the nature of Evil may be. Needless to say, from a popular culture perspective, there are two major works that provide the template of the modern devil. Folkloric works vary greatly, however, and from region to region.

DevilCover

Look At the ANGST! Look At It!

Modern conception, however, draws from elsewhere. Namely, from the works of Milton and Goethe. Here the Devil or at the least, his representative, are portrayed as wily rebels, tempters supreme, and as possessing good, or at least artistic, taste. Here we have the origin of the soul bargain and contract in blood from Faust, and the notion of a sympathetic devil from readings of Milton that were common in the Romantic period (Though, not universally agreed on). These traits, rebellion and temptation, were always to a degree present but both Faust and Paradise lost thrust them to the fore and burned them forever into certain forms.

Neither of which are conducive to a horror story. The deal with the devil perhaps is, especially unwittingly, but that hits many beats of earlier tales on this site, including the Damned Spot. But the devil plays into our themes of Baudelaire especially well. Yes, even better as a simple devil.

Devil3

Tales of tricking the devil abound in Ireland and Irish influenced lands (such as the south), but the tale of Ysyr also invokes the devil as a trickster who leads to the destruction of a golden land. There in, he deceives a wicked noblewoman and her ogre helpers and leads to their sinking. Some say the key to the kingdom still sits in Ireland, under an unmarked grave.

Stories from Cambridgeshire tell of a man who met the devil on the road, and found his body turned into a burnt skeleton the next day. His hounds, large black canines the size of horses, occasionally hunt across the sky. In other regions, he arises as the source of local ills and dark powers. Salem I will leave untouched, until again witchcraft crosses our table. Needless to say, the great malicious spirit than maintains in folklore only that.

Folklore provides that ghost story aspect, a simpler character. And while in a longer tale, the monster may have many facets, many meanings, works as short as ours need something simpler. Something a bit baser. So folklore, in structure, might serve us better than lengthy novels and epic poems.

Devil4

I’m not saying basically this. But basically this.

As I said, neither popular culture icon works well at the start. The tempter is a tad horrifying, but overdone. The rebel is an excellent hero for a war story, a fantasy epic even, but would be difficult in a horror tale (unless as in Hypnos, the rebel attempts to recruit the hero). But! The Rebel victorious? That has potential. Particularly if he is as petty as the devil of some folktales, an impure creature that delights in small suffering as well as lofty goals.

Keep in mind the nature of dreams. They are often where divine visions or ghostly apparitions emerge. The devil, as arch-divine rebel and bringer of discord to the realm cosmic, then works well in the disruption of dreams and the cause of nightmares. The devil is in Heaven after all, and thus all is wrong in the world.

I will not dwell long on the horrors a successful revolutionary can inflict on the world. History provides enough of that, and I wish to avoid politics. Oh, the fates of the Muses who once inspired. Oh the Graces who brought virtue. The heavens under hellish reign are never better off. The rebellious prince of sin, if victorious, would be a terror indeed. If such visions pursue a man, no wonder he doesn’t want to sleep.

But! But our story ends when our troubled sleeper rests. This is difficult, since a terrible fate that sudden is hard to betray from the first person. Perhaps, we might structure it to resemble an investigation. After all, the rapid and large number of drugs needed to stay awake for a long period of time might attract attention. This would push much of the above research into subtext, as our investigator (true to form) is unlikely to know the cause of the erratic behavior until the end.

Still, it keeps suspense longer. Odd nightly behaviors can be ascribed to numerous things, a number of strange phenomena. And investigation is one of those knowledge seeking professions that, most often, lends itself to horror.

We likely then will have a number of characters as the investigation proceeds, though perhaps backwards from what the prompt has proposed. We perhaps start from when he wakes and piece together what went wrong.

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The Shedu

Prompt This Week: 21. A very ancient colossus in a very ancient desert. Face gone—no man hath seen it.

Research: Look Upon My Wonders, And Despair!

Dear His Imperial Majesty and Protector of the Faith,

As you requested, I have continued to take a record of the disturbances that plague your kingdom. I have ridden far, from the jewel of Istanbul to the southern lands where Arab tribesmen dwell. And it was there I encountered my unfortunate delay.

I was investigating reports of a lost manuscript, one from Bablyon that had been smuggled south and lost in a sand storm, when I heard from a travelling merchant of another oddity: a statue in a mountain, near the Basket of Gold.  Raiders from the early days of the Caliphate had settled around it, and was haunted by djinn of ill repute and fickle nature.  The merchant, who introduced himself as Rostam Al-Dahak, offered to guide me to those who inhabited the area now, who he assured me where more civilized folk.

Thus, with steel by my side, I made my way out into the Azir Mountains, south of the City of the Prophet a good ways before we arrived at the strange tribes men. The merchant made good on his introductions, speaking some unfamiliar tongue. He explained that besides the Holy Koran, the people here knew not a wit of Arabic. They spoke some language of their own, precious to them since Babel. Despite that, he spoke some as well.

The tribesmen, simple folk with iron weapons bought with wool and sheep, where a bit alarmed at my presence. Rostam explained that they were very wary of outsiders, particular men from Medina. They thought the secrets of iron and textiles the work of ghuls and desert spirits that conspired against the Prophet. The belief seemed strange at the time, but we shall get to that shortly.

For the time being, Rostam brought me to the headman, a man that the Lord of Creation granted a long life and a healthy mind. His beard was short and white, a cloud puffing out of his chin. He wore a woolen robe and hood even indoors, and spoke with Rostam briefly in their own language.  The elder meddled with some beads before nodding along a bit. What follows is the best transcription I can manage, translated by my dear Rostam, and summarized for purposes of time.

There is, according to the esteemed elder of the tribe, a mountain that was hollowed out by an ancient sorcerer, who tamed the winds and forced them to raise metals and jewels, that he might have a paradise hidden form the eyes of the Lord. Vain in his deeds and hopes, he made metal halls and shining stars, binding strange servants of brass and light. Fiery ifrits were forced to serve him, and in the dark halls he prayed wastefully to idols carved in stone and offered sacrifices atop fiery altars made by the giants of Ad and Gog.

The foul sorcerer could not, of course, avoid the gaze of God. Even in that time before the Prophet, peace be upon him, walked the earth, holy men abound. A number of them gathered around the entrance to the sorcerous chamber.  They pounded their staves on the ground, and uttered many prayers to end the abominable practices that occurred there.  And there faith was that of the esteemed desert hermits, such that the Ineffable One moved the mountains.

The earth shook and scarred as the, as Rostam put it, wind of death descended into the hold from its resting place in the peak. Howling like raging wolf, it descended upon the halls, many armed in its terror and strangled all it found with a hundred limbs of smoke. And it tore and rent all of its contents, its singing swords, its women of metal, and its dark writings.  But the power born in Ad’s statue frightened the wind, and it cowed about it, before being recalled unto heaven. So the place still stood, surrounded by the work of the Carrion Wind.

The elder started then speaking in hushed and more rapid tones, and Rostam did his best to convey the knowledge.  They said that the mountain had laid abandoned thus since, but raiders and nightly demons still made offerings to the strange statue, that its foul powers aid them.  They walk atop desert storms and storms with drums of thunder when it is pleased. When it is not sated, the shepherds see hosts of locusts and worse growing on the distance.

The elder admitted to Rostam that he could show us the way to the strange fortress. It was not a hidden place, he said, to those who knew the mountains. He sent with us a shepherd who had slipped into sleep that day. He laid us faithfully, if reluctantly, to the mountain. A pillar of stone that was stained black in places. Wounds seemed to have been struck along it sides, such that a number of springs bubbled strange rivers out. A great cavern stood along the side, between the four rivers of bile. Surely, great shadow of the Lord, it was something forsaken by Nature and Man if not by the Lord of the World.

Rostam and I proceeded alone. Not even the stern shame of sloth would motivate our guide to enter that dimly lit cavern. Lanterns in hand we entered the belly of the beast.  Its sides shone as if wrought from iron and steel, and were cool to the touch. The ground was a single piece of metal, a passage way more completely crafted than any other. The reflection of the fire danced upon the sides. The air was thick as we descended deeper and deeper. At last we lighted upon the room of the Carrion Wind.

There was in fact a statue there, a colossus unlike anything these tribesmen had ever seen. I, however, and no doubt yourself, Commander of the Faithful, recognized it swiftly. A tall and might form, that resembled a lions, with something like a man’s head, and a pair of thrown back wings. Two bull horns poked from its top. Certainly, it was nothing more than a mere pagan idol. It was well made, certainly, with the only flaw being the cracked and smashed face.

There was blood splattered, of course, along the bottom of it. And a number of shimmering swords were cast about it, shimmering like the walls in the lantern light. Rostam shivered as a chilly breeze came up from the depths of the mountain. No doubt greater secrets or oddities lay there, a treasure trove lost to time.

I was examining the statue when the light first flickered strangely across it. The smooth skin grew small dusty hairs.  As I raised the lantern closer to examine the workmanship, I saw it move more certainly. With a low moan it breathed in. The cavern shook as it breathed out. I started back as the lumbering thing stirred, its shoulders stretching. Its beard unfolded, slowly, into a multitude of limbs. Its wings rose and fell, the entire cavern swept by its movement.

It had no face still though. Its head was jagged and broken, it’s face and skull apparently smashed in.  It slouched forward and lumbered off its platform with cool assurance, swords breaking under its paws. The tendrils flickered out, stroking the air absent mindedly. I sat silent and still as it paced about. Rostam…Rostam did not. He cannot be blamed. The beast’s visage was the fear work of nightmares, its face bleeding sap and its body bestial. I must commend Rostam, for only shouting in panic and attempting to run.

The creature, if it had any sense, surely had excellent hearing, and immediately pounced upon, a boulder of muscle crushing him. The beast made a noise, a gurgling noise, and raised its head a triumphant lion over a lamb.  Its tendrils gripped Rostam’s clothing, and tore flesh and cotton apart with ease. I rose slowly, considering what could be done against such a creature, faster than the wind and stronger than steel.  I decided swiftly that if this was to be driven from your Imperial Majesties lands, a division of men twenty strong, armed with rifles, might suffice. If the Most Generous be willing.

It shouldn’t then be noted among my sins that I fled. I did as quietly as I could, careful not to step upon a single blade or piece of rubble. I moved as slowly as I could, the steel floor catching only the slightest of my movement. The beast was pre occupied with tearing into Rostam’s flesh, though as I began to pass it, I noticed it was not actually devouring him.

The creature was instead jabbing the pounds of meat onto itself, probing its own face for a mouth. It turned about sluggishly, making a strange moaning. After several ponderous steps, it lowered its head and pushed about several of the swords, its  root like limbs struggling to grip them.  Gradually it pulled its head up, stuttering as it did. A beard of blades surrounded it as it turned toward the exit, it long breath growing strained.

I have, I admit, put little effort in placing the location of that fortress. Nor can I explain what occurred to the beast, although I speculate that perhaps the elder misunderstood the story. I suspect, possibly, that the great creature has –unfortunate for itself – a great intolerance to blood. Whence it came I cannot say, nor whether those blades were its or others. The mountain is a strange one, but it is a danger that can be avoided, should we simply wall it up with stones and boulders. A simple solution, I think.

 

Your beloved Servant.

 

I believe this story may have been a misstep. I could not quite get a grip on a deeper horror, or rather, found it much harder to express than an initial draft focusing on a British empire. I was a bit too eager to return to a good corpse I think. Something I will keep in mind as I go on.

What about you, my brothers and sisters? Was it frightening?

If you enjoyed it, consider looking at the previous visit to the Ottoman empire.

Also, a note: This story did draw some inspiration from our good friends at horror prompts. Check them out for some good off-kilter poetry.

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Look Upon My Wonders, And Despair!

Prompt: 21. A very ancient colossus in a very ancient desert. Face gone—no man hath seen it.

Resulting Story: The Shedu

This prompt brings to mind a number of the things. Firstly, and most obviously, the poem Ozymandias :

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.” (Shelley)

OR

In Egypt’s sandy silence, all alone,
Stands a gigantic Leg, which far off throws
The only shadow that the Desert knows:—
“I am great OZYMANDIAS,” saith the stone,
“The King of Kings; this mighty City shows
“The wonders of my hand.”— The City’s gone,—
Nought but the Leg remaining to disclose
The site of this forgotten Babylon.

We wonder,—and some Hunter may express
Wonder like ours, when thro’ the wilderness
Where London stood, holding the Wolf in chace,
He meets some fragment huge, and stops to guess
What powerful but unrecorded race
Once dwelt in that annihilated place (Smith)

Luxor Temple.png

The poem of course relates to the great Pharaoh Rameses II, and supposedly the Pharaoh of Moses time. Egypt held British imagination, and by extension Mr. Lovecrafts, for a multitude of reasons. Firstly was its staggering age. Egyptian civilization ranges from 5000 B.C.E. to 0 C.E., longer than any civilization elsewhere in the world. The preservation of that nation, the elaborate burials and the sand covered monuments, also elated the modern world which played with the notion of eternity. It was a bit of otherness that was nearby and attached to antiquity.

Faceless Sphinx.png

And Egypt is famed for a number of monuments, perhaps most famously the Pyramids and the Sphinx. The Sphinx surely is more in line with our prompt (since the pyramids bare no face), and is common in Mr. Lovecraft’s conception of Nyrlanhotep. The Crawling Chaos’s most famous name is ascribed to ancient Egypt, as a lost Pharaoh lost Pharaoh of a bygone age. His faceless form (here conceived by cyanyurikago) may well have been created in response to this prompt.

Sphinx

But the sphinx offers some interesting potential. The prompt elicits some prehuman creator, and if we are to construct a monument that has been created by something inhuman, an inhuman body might help. There is the precedent of similar forms across the ancient world (as the ancient aliens people have noticed, albeit incorrectly), particulary with Greek sphinxs, the Lamassu of Mesoptamia, and a number of creatures in Southeast Asia.

We then have a few notions tied up in the story. Firstly, we have the idea that some knowledge has been forever lost to humanity (the face, at the least), and that some intelligence has robed mankind of its place as the first to build (an existential dread, as others have come and gone before), something of the nature of time (the desert evokes worn down nations, and with certain organizations attacking the remains of desert dwelling civilizations lately, a topical fear), and something of the nature of life. After all, if the makers cast it in their image, they certainly only barely resemble human beings.

To its lost nature, we certainly have a precedent in Lovecraft and elsewhere, with a number of lost cities to pick from. To leave Egypt, we have the city of pillars,Irem. Located in the Arabian desert, Irem was supposedly the home of occultists and things worthy of God’s wrath. Mr. Lovecraft expanded it as the home of disturbing and alien creatures, particularly reptilian things. We might also look to the ancient Zoroastrian and Persian texts that talk of Hankana, a fortress for Afraisiab.

IndianaJones

Someone like this, but more professional.

From all this, however, we can gather a notion of who serves the best protagonist. Whoever suffers the most from the horror, feels its stings the most accutely, should be the victim. Best, then, some archaeologist or antiquarians, who worries about what has been lost. Given the Middle Eastern nature of most of these, our good friend the British Empire might provide a good servant. There is some trouble, constantly poking at the Empire for protagonists, however. Some other arrogant power would have to do. A cold war expedition, perhaps from the United States in the region?

The problem there is that the Union has never felt eternal. Always it seems to be at risk, and its reign as superpower has been punctuated by existential dangers (from within and without). Perhaps the other direction then? Something more ancient? We could return to the era of the Ottoman Empire,who held sway over both Egypt and for a time Arabia. Certainly we could lead into our story with a discovery by our lost investigator. An Ottoman occult investigator certainly is something I haven’t heard of. Or an occult institution.

What is added, however, to the horror of each empires? The British discover of course, that their place is not special. That civilization did not spring from the Isles or Rome, but somewhere they would right off as backward and worthless. The Union finds that as well as increased dread that something that cannot be known exists in the world. The United State’s age of supremacy was built upon an understanding of the world that was near complete (or felt so). What wasn’t known could be discovered, nothing was beyond the pale of human understanding.

The Ottoman Empire of course suffers a bit like the British (though depending on the placement of the desert, not nearly as much) and its own eternity is a bit more imperiled. Depending on the time of it’s discovery, the dual element of declining empire and the lack of men as mighty as the prophets may play into the decay as well. The British and the United States lack a belief or idea of decline, for the most part. The old man of Europe died a much more awful death than England did, a decay more than a sudden dispersal. Still, I’m torn.

What do you say, dear brothers and sisters? From which land shall we sew our lost story? For some added difficulty, I may try and complete the latest horror prompt from these fine folks, and draw from the word “seed pod”.

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Damned Spot, Part 1

This weeks prompt: 19. Revise 1907 tale—painting of ultimate horror.

The Research:We Anti-Mused Now

Warning: This story contains instances of stalking.

Lenora Eckhart woke up in a room to find herself haunted. As she put on her office button up, it felt heavy and ill fitted, too long sleeves and too high a buttoned collar. The eggs she made with mechanical regularity were unpalatable, smelling ever so slightly of sulfur. The yoke was too runny, watery and sluggish. That would all be bearable, Lenora thought, if it weren’t for the boarish and booming snoring of her room mate. She’d have to find some cure today for Deliah’s sleeping problem. In such a mood, she headed out to work.

Walking along the moss and mist filled streets, Lenora wondered how it was that modernity had not made a mockery of the refuse. Eventually, she came to the train station, and found the benches crowded. The concrete slab that rose from the ground, cracked and encrusted with mold and muck, was crowded. And the rumbling grey train was crowded when it arrived. Waves of people trying to escape battered against the masses pushing in. Lenora stood in the sardine can as near the window as she could manage.

The bleak and broken buildings of Livingston began to give way as time rolled by. The train would click to a stop every now and then, and Lenora braced herself for the chaos. Otherwise, the ride was mostly silent, save the mumblings of mad men who stayed aboard the train or the cry of babes. As they rolled past the smoke spewing factories, the mass began to ever so slightly thin. And then he lighted aboard.

Lenora wouldn’t have noticed him at first, a man of middling height and weight, except he stumbled into her as the train lurched forward. Turning about, she barely gave him a second thought at first. A bureaucrat or functionary, in a black suit and with black parted hair and beady eyes. Had she recounted him then and there the most noteworthy thing perhaps would be his nose that seemed slightly askew. But her eyes found something else more worrisome. Something red was dripping from his right hand.

“Sorry, miss, ever so sorry. Still not completely steady on trains such as this,” the man said, smiling as best he could. It was a jagged smile, Lenora noted. Teeth like glass shards.

“Oh. It’s fine. Trains and all.” She said looking ahead.

“Yes, well, they are strange things aren’t they? Do you ride them often?” the man asked. Lenora could feel his eyes on her.

“Occasionally, every now and then when I need to get downtown.” Lenora said, focusing on the steel bars that served as ribs for the roaring machine.

“A lovely lady like you can’t drive all the way down?” the man asked. Lenora’s hair went on end as she felt a hand flop onto her shoulder.

“I’m sorry, do I know you?” she asked, pushing the hand off as she turned. She could feel something still itching there.

“Not yet, no I don’t think so. I go by Pete, but you can call me Peter.” He said, with that crooked smile. There was the click click of the train stopping. Glancing up, Lenora sighed with relief.

“Well, this is my stop.” She said, rushing out with the crowd. Over the mumble and mass, she heard Peter shout something, but she wasn’t sure what.

The building that housed her office was a devoid of any real color, instead appearing almost washed out. Or stained, stained grey with the refuse and detritus of destroyed dreams and savaged souls. Lenora paused. The thought felt alien, intrusive, a voice in her head she didn’t recognize. Scratching her shoulder she dismissed it and went in to the building.

The interior lobby was better, somewhat, than its wasted exterior. It was painted white with a peeling blue paint on the ceiling. The carpet was soft and only slightly covered in dust. The stairs up were wallpapered with faded birds and flowers. Lenora had wondered if they ever made wallpaper like that fresh, or if it came off the assembly line old and worn.

Women at work

Her office was more a workroom, with lines and lines of tables. Paper palisades protected them from actually seeing each other, while the click-clack-ring of the typewriters beat on and on. Hers was nearest to the barred windows (supposedly to prevent people breaking in, though she suspected it was more to prevent people from breaking out), next to Daniel. Daniel was a bespectacled man, overweight and hunched. He had been in the office since it was a single story, since scrivener was a respectable position, since the sun actually peered through occasionally.

“Good god, Len, are you all right?” Daniel asked looking up as she squeezed past.

“I’m fine, Dan. Ran into a weirdo on the train is all.” Lenora said, sitting down. Daniel blinked a few times.

“And stabbed him?”

“What?”

“Your shoulder. Len, you’ve got blood all over it.” Daniel said, pointing with a pen. Lenora pulled her jacket some, and sure enough something dark and red was resting there.

“What on – oh for Pete’s sake this was my good one too! Ah, nothing to be done. No, the freak was bleeding from his hand I think. Probably got it on me too. Health nuisance.” Lenora said, forgetting the matter entirely. She hung the jacket on the back of her chair and set herself to labor. The pitter patter of rain gave a rhythm to the work that was almost pleasing.

Lenora spent several hours copying along, form letter after form letter, letter form after letter form, until she heard something whack against the window. Blinking for a moment, her trance of work disturbed, she turned in time to see a stone smack against the glass. Leaning over she saw a figure in the rain and fog waving and smiling. Blinking, Lenora saw a familiar glimmer of red.

“Oh Christ, he’s down there.” Lenora muttered, turning back to her work.

“The man from the train?” Daniel asked, his concern having been worn down to apathy.

“Yeah, him. How did he even find out I was here?”

“If his hand is bleeding that bad he should be in a hospital, not out in the rain.” Daniel muttered, resuming his typing.

“No, but seriously, did he follow me? I didn’t even tell him my name.” Lenora said, glancing outside again. There was no sign of Peter, not a bit of the red blood. When she turned to type again, the letters looked suddenly strange. To beat of alien drums, strange glyphs impressed upon scroll – no, no Lenora thought rubbing her forehead. That made no sense anyway. It was a type writer, for god’s sake. And complaint response letters weren’t any more ‘strange’ than anything else. Whatever thing was making these thoughts, it needed to stop. Must have been the eggs this morning.

Or hell maybe it’s Peter. They had started once she’d seen him, maybe something about his eyes vulturous leering eyes like a cannibals was doing this to her head. Inspiration comes from strange places, though she wouldn’t call this inspiration exactly. No, it was more like interruptions, breaks from the flow of thought. Invasions might be better. Lenora focused as best she could on the letters, careful to keep her thoughts from intruding.

She found, in time, that she could scribble somethings on a piece of paper. Little drawings that helped focus her thoughts. The interruptions weren’t a problem if they slipped out of a pen onto the page, a self-done exorcism. As she finished a sketch of a skull full of spiders, in between the one hundred and thirtieth and one hundred and thirty-first letters, the door to the office opened again. Peeking over, Lenora already guessed who was there.

There standing next to a familiar suit and red hands was Mr. Levington, her manager. A recluse with a head perpetually bent upward and a hunched back, Mr. Levington rarely ventured out of his office except to give tours to visiting salesman or investors. And even then he avoided the utmost floors. Too dreary and his voice was already a tad depressing.

“And this is the main office. Not much, but it gets work done.” She heard Mr.Levintgon drone on.

“Ah well, what can you expect.” Peter’s said, droning over the typing and mutterings of dozens of clerks. Lenora ducked behind the palisade and quickly busied herself working again.

“You can expect higher profits Mr.Phrike. We process hundreds of notes like yours daily, and with so many clerks, working so fast, it’ll triple your returns.” Mr. Levington replied, footsteps tapping down the rows.

“And how do you keep the people so busy? Certainly there is some rest for even the wicked.” Peter said, a clop-clop steps matching the manager’s. Lenora fought the curious urge to glance up, staring into the black type so long that it flickered red. Red writing, bloody books bound in human hide, wonders of bygone times… Lenora suppressed the thought, moments before it absent-mindedly drifted on the reply to the customers complaint of a defective sink.

“Well, sometimes, yes, but you see coffee is a miracle!”the managerial voice continued on.

“It is indeed. But from heaven or hell, who can tell? Now-Ah! I know you, don’t I? The train this morn?” Peter said. Lenora kept her eyes locked on the paper.

“What is a man like you doing on the train?” Mr. Levington said.

“Well, there are times when traffic is awful, so occasionally I take one when going down town.” Peter replied. Lenora typed as calmly as she could, pretending not to have heard him.

“Punctual! A great trait in an investor.” Mr Levington replied. The clop-clop of Peter’s steps began again, and Lenora felt a familiar weight on her shoulder as Peter’s shadow fell over the typewriter. Something in the air smelled foul as well, like smoke wafting upwards from a blazing cesspit, a dread Gehenna born anew.

“Uh, sir, is there something you need?” Mr. Levingston asked. “We’d ask you not disturb the clerks.”

“No, nothing. That’s a lovely drawing, Miss. Might want to keep them up.” Peter said, patting her shoulder. Lenora winced a bit before continuing typing. Acknowledging him might be encouraging.

“Well, I’ll be seeing you. Now, Mr. Levingston, you said you did factory work?” Peter said walking off. Lenora’s throat closed as his fingers lingered a bit, and soon she was seized in a coughing fit. Her shoulder itched again, like a blistering bug bite a vampiric strain carried by hand. And there was that,that constant invasion of her thoughts and God dammit he had gotten more of that gunk on her, a red brand burning on her skin. It itched something fierce.

She focused though, through the stinging and the shaking. Lenora ignored pressing questions about chance and fate and destiny and how on earth had he found her? That had to have been him in the rain, but he’d have set up a meeting here for months. How long had he been following her? Had he only now decided to make his presence known? Why?

————————————————————————–

Continue the story here or read some forgotten research here.

Down In Sri Lanka

Calamander

This week’s prompt is: 18. Calamander-wood—a very valuable cabinet wood of Ceylon and S. India, resembling rosewood.

The Resulting Story:Victor and Mr. Marrigold Luther

So, we have a rather scientific entry this time. Calamander wood is a striped wood, which to mine eye seems to be a tiger. The wood has been extinct for two or three hundred years, making any such wood quite valuable indeed. In fact, such a piece would be irreplaceable.
Now, onto location. Ceylon is the old British name for Sri Lanka. And what can be said of the island? Well, of note, it is one of the most religious countries in the world. It was, in time, like much of India, conquered by the British. But most interesting to me, as is common, is the folklore of the place. In folklore the seeds of strange and disturbing stories grow. A recommendation to peruse folklore circles when you get the chance, fellows. They’ve saved me more than once.

DemonSRilanka
The folklore of Sri Lanka is full of strange demons. The most peculiar common rule of demons, however, on the island is that they may not directly harm a human being. They may, of course, send disease and misery his way, or delude and deceive humans form their tasks. But their very Job-esque prohibition (from their own king) ensures they never directly harm anyone.
This, for horror, is superb. It means the spirits of terror, by nature, build suspense. Their actions are all, by definition, implied and uncertain. And there is horror in that uncertainty. It should be apparent, I think, why mysterious invisible creatures wrecking havoc on a man’s life would be frightening. Particularly since from such fear and terror and misery they derive sustenance from it.
Given further the value of the material, and the necessary age, a haunted relic would not be out of place. The various demons, like many supernatural creatures of the sub continent, also posses powers of maya or illusion. Such things aren’t unusual for the supernatural (in fact the fae in their turn use glamour as well) but in a horror story, it is always good to have your full tool box ready.
Additionally, the coloring of Calamander is important. Such dark stripes are reminiscent of the tiger, a creature that allured and frightened the English mind for sometime. The classic Tiger poem plays this clearly. Playing on this image of a tiger, still and coiled in the wood, could be grand.

Tiger
Combine the two and we come across one of the most curious (to my tastes) creatures of the Indian subcontinent: The Rakshasa. Often depicted with a tiger’s head and a man’s body, palms reversed, the Rakshasa are said to be man eaters and unlike the demons of Sri Lanka, they have no prohibition against harming directly. Rakshasa aren’t incapable of goodness, however, and the mythic tribe has achieved great things. Once, according to the Ramayana and other myths, the Rakshasa king Ravana ruled the entire world. The devil-tigers are then something truly terrifying.
What then can we make out of all this? Well, firstly, we should not pin down the precise demon. There is no need (nor want) for a hero/victim to know what they are facing. Our dear Mr.Lovecraft did say that fear of the unknown is the greatest fear of all for a reason. Keeping Mr. Lovecraft in mind and his choice of name for Sri Lanka, it might do well to have a British lead. Perhaps not in the mists of the Isles, but certainly somewhere. Even in Sri Lanka itself would do. This would put our new arrival far from familiarity, and certainly set him into something foreign to his mind. The classic story The Mark of the Beast, by Rudyard Kipling would make a fine resource for this particular unease.
The wood ought to be fashioned into something. A chest or cabinet, from the prompt, are obvious choices, and the quickest route is some sort of monstrous creature imprisoned in them (which, no doubt, endeavors to trick the victim into letting it free by means foul). We should ignore this obvious path, however. Instead, perhaps, we may place our twin demons against each other. Or the appearance of such. Something foul that is sadistic may try to prevent the object of their fun from releasing something murderous. In this case, the two forces at work produce twin manipulations. If the chest simultaneously attempts to lure and dissuade its owners from opening it, it is no surprise it might be abandoned or it’s owners gone mad.
Of course, there are alternatives. An exquisite chess set, for example, might work. A game such as this, something that has the veneer of the familiar, might be a better object. For while the unknown is terrifying, the complete stranger is simply baffling. Far more frightening is the demon that between torments moves its pieces and plays something of a human role. For, in that case, the diabolical is not far from the human, the perception of savagery and civilization more of an illusion.
Add to this the nature of the British Empire at the time of Mr. Lovecraft, a seemingly perpetual decline, this blurring of boundaries is appropriately frighting. We must be careful, of course, not to portray the Empire as civilized and the colonies as backward or barbaric except in the mind of our Englishmen. It’s something to most seriously avoided.
But certainly, there is arrogance to be shaken.

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Under the House

Stormhouse

This Weeks Prompt: 17. Doors found mysteriously open and shut etc.—excite terror.

Research: Things Unseen

The clouds gathered over Burgany at the dawning of the day. The great clouds whirled, spiraling serpents over woods and fields. The golden corn was almost gray in their shade, Lucas thought. Rain would come, as it always did with great clouds that slipped over the looming mountain tops. The rising sun barely speared through from the blue firmament.

“It’s going to rain hard today, I can feel it,” Mrs. Lavender said from the bed, her face faded like old paper.

“Certainly looks like it.” Lucas said, looking up from the breakfast tray. He’d been taking care fo Mrs. Lavender for the last year or so. The small isolated house, far from what Mrs. Lavender called “the infernal engines” of the city, had been an adjustment. As had Mrs. Lavender. She didn’t manage the farm anymore ,and he was here to see her off, not tend to the corn. It was remarkable that the fields were mostly intact with a few years of neglect only occasionally working up through the underbrush.

“It’s going to be the big one, I can tell. My knees haven’t ached this bad in ages. No, this is going to be one for the almanac, Lu.” Mrs. Lavender said, sitting up a bit, her bones groaning with effort. The windows clattered some as she spoke, applauding her efforts.

“It’ll be bad, but nothing that huge. Big storms can’t get over the hills.” Lucas said, turning back to the silver. The winds were whipping themselves into a fury, but it wouldn’t amount to much. There was another clatter down the stairs.

“What was that? Visitors?” Mrs. Lavender said, jumping a bit.

“No, just the wind, miss.” Lucas said with a chuckle, “I’ll go get it.”

The house creaked and the pots clattered as the air wrapped around them. The door was open only a jar, not unusual for the old and flimsy frame. Lucas pulled it shut with ease, securing it with the iron locks and fasts. Turning to clean up the cooking, however, Lucas saw something peculiar. The wall was jutting out some.

“Mrs. Lavender, looks like the paneling was damaged by the wind. Going to hammer it down real quick, okay?” Lucas shouted, digging through the cabinets for some nails and the hammer. As he rested the first nail, he felt the panel give more.Putting everything down, he gripped it. There was a hole behind it. Moving the paneling back and forth, he heard the scraping of hinges.

Furrowing his brow, Lucas pulled the panel open. On the other side was a hall, descending down someways before suddenly turning left. Biting his lip, Lucas left the door and went upstairs.

“Mrs. Lavender, how many basements do you have?” Lucas asked, packing up the tray. Mrs. Lavender looked at him, as if he had asked how many suns were in the sky.

“Just the one, Lu, just the one. Why?”

“I think I might have found an old closet or something then. Just a sec, Miss, going to see what’s down there –” Lucas said, cut off by the slam of a door. Blinking rapidly, Lucas ran down the stairs without another word. The panel was shut.

“It’s probably just the wind, Lucas.” Mrs. Lavender said. Lucas ran his fingers along the top of the top of the paneling. His fingers pushed and pulled until he found a seam. His nails gripping it as best they could, he slowly pried the door open again. A pair of sable shoes sat on the other side, neatly placed next to each other. Slowly, Lucas, backed away from the door. It was possible, he thought, that he hadn’t noticed the shoes before. It was possible, after all, for in a panic him to have missed something so innocous.

Opening the junk drawer, Lucas began looking for a flashlight. There were more chords than he thought he’d seen before though he might have become more perceptive lately. As he looked, he heard the pitter patter of rain dancing on the roof, the start of the storm. Grabbing the flashlight, Lucas headed down as thunder boomed over head.

The passage way was short, going down what felt like only ten or twenty feet. The room at the bottom was well lit, to Lucas’s suprise. A table was laid out, with silverware next to porcelain plates and candles lit. Book shelves lined the walls, and doors at every wall. A coat hanger was slumped next to it, and a dripping trench coat rested on it. Who ever lived here had been outside recently.

Lucas grabbed one of the silver candlesticks as he moved through the rooms. Down here, the storm couldn’t be heard, so with only his heart beat as company, Lucas slipped between doors. There was a bed room of sorts, with a hammock and a large lavish red chair, almost entirely cushion. A book lay open beside it, on a small wooden desk. Lucas drew near, hoping for a clue to the strangers identity, or at least their nature.

The book’s pages were neat and orderly, perfectly pale pieces of paper no dobut from a modern printer. Not a word of english was on their pages, nor any language that Lucas knew. Flicking through the pages, he saw writing that sprialed, that ran both left to right and right to left. Sometimes it seemed upside down, other times a rainbow of colors crossed the pages. As he skimmed, he heard the pitter patter of what he thought was rain, dismissing it as the new mystery pulled him closer. For at last he found something he recognized.

A sketch, by a swift and sure hand, of a woman. A number of them, actually, about twenty faces engraved in the book, with a silhouette and notes beside them. Lucas only dimly recognized Mrs. Lavender at first, as the initial faces were from her youth. But as the wind howled overhead, he found the latest drawing and the rough image of Mrs. Lavender, aged as she was, stared back at him. More notes in swirling script, punctuated by jagged arrows and what must have been punctuation marks.

And then he heard the door slam above him again. Lucas stood frozen, terrified now that a hundred eyes might spy from a hidden door somewhere. Blowing out the candle, he slowly snuck around to the entrance. A hunched over shadow moved across the floor of the dining hall, slowly like a cloud rolling over a field. The form coughed and mumbled to itself. There was a clang of a cup being overturned on the table. Lucas waited until the shadow hobbled away, only to hear another clattering sound.

A second shadow, tall and with long fingers came hopping down. Water dripped around it, as it’s owner tossed a long jacket on the rack.

“Rain keeps coming, don’t it?” one voice, tired and raspy said.

“It’ll be bad for the ladies crops it will.” the other, which judging from the shadows, was the second man, replied.

“To think we’ll finally get some peace and quiet down here then! I could hear her wheezing, and I swear the reaper was pacing the foot of her bed.”

“Might still be, Wort. Don’t know how long he takes.”

“Ah, maybe if we let the crows in again. They’d clean her out.”

“I still think there was no need for that. Its fine below. No need for fields down here, nice and cozy.”

“She’s stopped buying food, Lee! Got that youngin doing it instead, and he buys terrible meal. Ought to send the maggots after him, run him right out.”

Another slam of the door. Lucas glanced up, as the steps creaked again.

“Oh hush it with the both of you. It won’t wash her away, nothing to be done about it. We’ll just wait till until it’s clear, and leave her in the fields.”the new voice said irritably. The shadow he cast was wider than the other two, and his head was like a big dogs.

“Patience didn’t get us nothing.” the second voice said.

“It got us rain, and rain got us lots.” The first voice replied.

“Quiet! Both of you, want to wake the old wretch up? Come on, we needs to be praying around now. After that, with calmer minds, we’ll talk about it.”

And with that, they wondered off, their steeps squishing and sloshing as they went. Lucas slowly rose, and peaked around the wall at the room. The shadows had moved on, but there coats were long leathery things, with some odd stiching and the occasional potted hole. Slowly he climbed the stairs, now hearing every creak and feeling every crack in the steps. He opened and closed the door carefully, to best avoid the slamming sound.

Setting foot on the solid surface floor again, Lucas heard the howling wind. The pattering of the rain. And the occasional crack of thunder. It occurred to him then, that the wind did not sound like the howls he heard below, that the rain above pittered and pattered differently than it sounded below. And as he approached Mrs. Lavender’s room, it occurred to him how different the slam of the door sounded from the peal of thunder.

**

A bit pulpy and unfinished of a corpse it seems. I think we must return to the home of Mrs.Lavender some day. What about you? What did you dredge up?

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Minister Elijah and Brother William

Michael Kormack

This Week’s Prompt:  16. The walking dead—seemingly alive, but—.

The Research: Here We Are Again

William Wilbur waited outside the alabaster wall. A rare sight, on a New England night, such a luxury. Wilbur’s form, between obese and gaunt, neither one of the numerous ascetics with stern glares nor an over indulgent maw waiting to be filled if only it was outside of the Church’s grasp. No, Wilbur was a middling man in the mist, squinting into the aged burial ground.
The earth was freshly turned, with gravestone’s sprouting like mushrooms out of the ground. The minister Elijah had been buried just this morning. A man made for his post, he was a tall and terrible figure, his voice filled with fire. To Wilbur, Elijah’s sermons bore some of that sulfur from below as well as any angel. That God had recalled his servant so soon was no strange affair.
William would have let it rest there and then, but this moonless night, something stirred him. The strange motions would come every now and then, moving him like a lone star was pulling him along. And this was one such night. William waited with baited breath for whatever it was that yonder star would display.
After a time, which in the mist choked night was either an eternity or an instant, there was something scratching in the distance. Clawing, burrowing up from the ground. Persistent, it was, probably more so than your average rabbit or rodent that infested such places. Something strange, a wilting wind, wafted through the cemetery. Figures rose, silhouettes in the fog that shook and shambled for a second. In the next instant, they were upon the iron gate, hands reaching out toward him, working at the multitude of locks and bolts.
“Oh, William is that you?” came a voice from the cloud, a woman about William’s age staring back. For a moment he did not recognize her, so long had she been dead. Since he was a lad, his mother had been laid to rest. But now she stood before him, locked behind iron bars. Her eyes, William thought, her eyes looked very much how they did when she was alive. Only, squinting, they seemd paler. Dimmer, as if some flame had abandoned them in the grave. Rats and vermin had gnawed at her clothes, and her skin was as white as gypsum. As white as the walls.
“Mother?” William let slip taking a step back form the apparition.
“Focus, Mariam, we can reach your son in a moment. The lock, the lock is still shut with silver. Get the coffin nails,” another voice said, a man near naked with a long sturdy face, full of grey stubble. The remains fo a black cloak hung loosely on his emancipated limbs as his fingers shook at the lock. He had the tall hat of respectable farmer, but he must predate the time of William. It slowly dawned on William, however, as the metal on metal clanged, that this was no simple apparition, no ghostly visage or unsettled spirit. These things, these semblances of the living, had physicality to them. Strength and corporeal form.
Blood moving quick, William turned and ran, the mist closing behind him. As he ran, there was broken laughter from the broken yard. Locking his own door behind him as well as he could, he paused in a sweat, and lay down to rest. A nightmare, a vision from gates of ivory and horn, that was all this was. Terrible, terrible indeed, but the mind makes such monsters when it wanders. His heart rests, and in time he drifts down into slumber.

When dawn comes, the king of the stars, magnificent and solitary sun scorches away the mist and fog, a day as clear as any. The coming warmth and light stir William from his terror filled rest. Woozy from sleep, he rose and said a dutiful prayer and went to the town to buy food. As he walked, William noticed something strange. No one was around.
The market was empty. Not even a wind blowing through. Concerned and confused, William paced around, through field and farm, but there was no sign of his fellows. Until at last he came upon the church.
The humble wooden church of crisp straight lines was now surrounded by makeshift barricades. Men and women with pitchforks stood watch, gripping them like hunting spears. A dozen or so had muskets. With a quizical look, William approached, a basket of food in his hand.
“Stand back there, brother William!” One of the men bellowed, Jonathan raising his barrel. William blinked, taken a back, and raising his hand.
“What ho, goodly John. Is something a miss in God’s green country?”
“Stand back I say again. Not until we know you are right in mind!” Johnathan said, holding his gun aloft once more. William stood stock still, tilting his head only slightly.
“Looks right as rain to me, John,” one of the other men said, squinting, “Clothes all orderly and his skin nice and full of color.”
“Still, could be fresh. Could be clever too,” Johnathan muttered.
“Clever? Come on John, you saw’em.They aren’t clever, they’re quick and crazy. Don’t talk as nice either and aren’t nearly as decent as he is,” the other man said.
That seemed enough and Johnathan lowered his weapon. Tentatively, William walked forward, toward the armed crowd. He looked about, examining faces struck by the sort of petty fear death and wilds provokes.
“What is going on, John? What’s happening?” William asked slowly.
“Something unholy, something wicked. The dead aren’t staying in their right place or right mind, not since last night. Seen a number of them, friends, family, even the minister, loping about town like nothing’s wrong. At first we thought it was the day of judgement, that the Lord sent’em.” John began, before a laugh interrupted him. Turning behind him, William saw a host of deceased waiting. His mother, his father, his friends, his neighbors, and a multitude he didn’t recognize. Laughing and cackling, barely clothed with slop dripping from their mouths. To William’s horror, some were so intertwined that where one stopped and the other started was impossible to tell. And at their head was the bulbous body of Minister Elijah.
Minister Elijah, his shirt ripped off so that the fat hung out like a barrel. Minister Elijah, with red blood dripping from his mouth, his cross shining in the sun against his pallid body, maggots worming between his teeth as he cackled. Minister Elijah, when he was done, slumped over as if exhausted and spoke.
“And who’s to say we aren’t, Johnny? Who’s to say we aren’t sent by God up in his uppity heaven, to feckless to get in?” the Minister asked, his eye’s flashing. The common mob were laughing and moaning at the speech.
“So much of the world is lost, can you really say your enjoying it wasting your time on your knees when you could be spending time on your knees? Its wonderful, being dead Johnny! Now put down that iron. We’re already dead. What are you going to do to us?” The Minister asked again, tumbling forward, glass clinking beneath his coat.
“Get back! Get back you! By God –” bellowed John, lifting his musket, his fellows lifting their forks and bracing themselves. William slipped behind them, shaking.
“Oh, come on Johnny, you can’t keep what passes for wine and women in this pathetic place? You’ve got to keep the fire going, Johnny! You’ve got to keep that candle burning, or it will catch up with the other side! Move it, or we’ll move you!” the Minister said, pulling himself up right and roaring like an enraged bull. William stumbled back as powder burst from muskets. He ran into the church, pressing the door shut as the mass mob of the dead came pouring down. He held it, eyes closed as moans and screams blended into a cacophony. When silence came again, he opened them wide to see women and children gathered behind pews. Breathing heavy, he nodded at a pew.
“If we have any chance, we best bar the door. Perhaps they will begone in time,” William said in hushed tones, with every bit of authority he could bare. A wet pounding came from the other side of the door.
“Oh, William, not you too. Listen, open up, and I promise to kill you before eating you.”
“Get me a pew now, and Miss Leman, please, some hymns would be appropriate,” William stammered out, pushing back still.
“What are you going to do, Will? I’ve got time forever, and plenty to distract myself with. I can wait as long as I want!” Minister, for even in this state he was still a man of god in Williams eyes. “I’ve got over a hundred men, you think some wood will stop us?”
William was quiet, nodding as the pews were pushed in front of the door. He helped raise the others over the windows. The beating at the door continued for a few hours, until the Minister seemed bored of it all. The moaning grew louder then. William tried to block it out, leading the survivors in prayer around the altar.
And then he felt the tug of that wandering star, pulling him upward like a marionette on invisible strings. His body rose and tumbled to and fro, until he was pressed against the window. The mist had come, the carrion birds gathering round the mass of bodies, snatching flesh between the growths, until only bones remained. Hundreds of decayed bodies, crows and vultures swarming like flies.
“Tis the will of the lord, to show us such things,” William muttered, “For this is the fate of the dead. And we, if we are true, will have eternal life.”
The strings pulled tighter however,and William let out a shriek as he felt his body smash into the glass, tumbling out into the wet grass. Rolling his head up, William saw that Morning Star hanging above him, lofty and bright. And then came eternal night.

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The Valley Vathek

Castle

This weeks prompt is:15. Bridge and slimy black waters.

The Research: Water under the Bridge

It is a known fact with each age, the world becomes more finite and measured. That is the noble duty of existence, to combat the hordes of infinity and probability into certainty, and in so doing, make the world bearable. It was for this purpose, good brother, that myself and my associate Mr. Slim went out to the woods of Eastern Europe, in search of a lost land, Vathek.

A strange land, any account of Vathek will say. Or rather would say. A subject of the Turk, then the Tzar, then the Turk again, Vathek by all accounts was a middling castle on a cliff-side, defensible and alluring. It was a rich city, by all accounts we had when setting out. But the curiosity was not in the city, but in its ending. No record continues Vathek’s line past seventeen sixty, well past the time of excusable errors or time’s hungry maw. It is inexplicable that the destruction of such a place, by famine, plague, or cannon has not been marked. So we went to Vathek.

The valley was cut out of mountain by some glacial passage aeons past. Our guide, who only called herself Sibyl, told us that the forest overrunning it on all ends was older then the rocks. The woods was without green, but rather bark like dust and pitch; no light touched the trunks of the trees and no fruits grew on their branches, only endless thorns. Our guide warned us that there were no well laid paths here, people having abandon the woods for decades.

“It is a wicked place,” she replied when we asked, “full of…how do you English call them? Fae things.”

“Certainly not, there were castles here, and people,” I objected. Any local who warns you of fae in such novel places is a liar, brother.

“They were not here when the Prince ruled in Vathek. But he listened to foreign men, Turks and tartars, and turned away from God. So they came and have stayed since, by invitation.”

“That doesn’t– ah –,” I said, being pricked by the thorns, “explain a thing! The Turks can’t just make a forest spring from the ground.”

“Not anymore,” Sibyl said. I decided to let the matter drop. At last we got deep enough, that we set about making camp. The trees were so tightly packed that there was no sign of the moon, let alone the great cliff face that Vathek proper sat on. Still, wood was easy enough to find, if hard to cut free. The twigs were full of thorns and seemed to delight in stabbing my hands, while the branches were hard to break free.

Sibyl was silent and slept well through the night, but the interlocking branches made the little wind whistle greatly, a terrible harsh noise to my ears. What manner of woman Sibyl was, that such dreadful piping was a lullaby, I cannot say. But I have my suspicions.

In that darkest of nights, where star nor moon came down from above, I saw a twinkling in the distance. A flickering and fluttering light, as if some cruel child had engineered a way to trap a butterfly to a candle. To and fro it flowed, carried by the disharmonious music. They kept me wake all night, staring at them and only just not following after.

In the morn, I asked my Sibyl about the strange sight. She was greatly alarmed by the notion, crossing her heart in the Russian fashion before speaking.

“They are lantern men, who haunt these woods, hunting and waylaying travelers, witch fire that lures men from the woods into hell. Do not follow them, whatever you do. Wicked, they are, and in service of more wicked things. In these woods, they are footman to higher things.”

“Some swamp gas then,” I muttered to my companion. He had a laugh at that. Such stories, he told me, where common amongst those who grew far from noble and Providence protected sorts. The Irish, the Cornish, those near Cornwall, the French, the German all had some version. Not peculiar at all, he explained, that near such a strange place, strange stories would bubble up.

And so we drew through the woods, till at last we saw the castle, though I will not call it such anymore. It was a massive growth of stone, spreading walls like a spider web, adorned in finery. Black blocks tightly packed, great emplacements and cannons that seemed to be bronze or steel. Might towers adorned with brass and silver, iron gates and ramparts in abundance. Keeps sprouted like mushrooms off some fetid corpse, and the armaments made light moss all along the floor. The river, the river was muck and mire, with dark ash running over the surface. Hundreds of arching bridges, worthy of the Thames, stretched over it. As we approached from the shore, I felt the heat blistering off of it, the stench of spoiled eggs sputtering out.

The bridge was covered in grime, such that your hands were stained by the merest touch. We walked carefully across. Vathek proper, I believe, had either torn down the entire cliff-side, or been built so large that the cliffs themselves had sunk. Its walls were now clearly shattered, despite out growths of blade like vines and coral formations growing between the wounds.

“There, you have seen it, British, let us go,” Sibyl said, gesturing at the gate. I stared out onto ashen covered waste, glimpsing bone white at times prodding through the darkness. And squinting I saw it for just a moment. Great looming eyes of fire, on some reptilian frog rising from the deep. A low bellow rung out, a thousand moans of agony or pleasure, dulled into a sing stroke. Dear brother, I saw that strange beast belching and burning. I saw faces. I hear voices and names in that valley.

The island of our knowledge, the place of measured things, is finite and clear. For on that bridge, I heard my own voice echoing back across the shore, I felt the throat of my companion in my hands, and I smelled blood as fresh as slaughterhouses. And dear brother, I cannot say what haunts that place. It is beyond heaven and below the earth, like the ancient Greeks Oceanus or the dread Babylonian Tiamat. Fear that valley, brother, for it has stained your kinsman’s soul.

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A Humming in The Dark

Mrs.Vel.png

This Weeks Prompt: 14. Hideous sound in the dark.

The Research: In The Dark of the Night

The year is one thousand nine hundred and sixty-eight. And something isn’t right. Mrs. Vel knows this, as she sits in her house, staring out the window into the night. She’s known it for quite some time. The neighbors have stopped coming to visit. They’ve not left their houses for days. Mrs. Vel knows this, she’s watched every morning.
“I wager they’re just down with some sickness dear. Don’t worry much on it,” Mr. Vel said when she asked. Mrs. Vel was smarter than that though. There wasn’t any sickness coming through.
She’d seen the Spanish flu came rolling through, and polio, and the Asian flu. She’d seen what a cold looked like, what sickness smelled like. And the neighbors certainly weren’t sick. No,something else was going on.
Mrs. Vel watched for cars at night too. Sometimes black ones would drive by, with their front lights off. She’d see them in a glimmer or two, or under a street lamp for half a moment before they faded away. Black long cars, tinted windows. Always driving the same way, down the block.
“They just circle around somewhere else. No need to make a u-turn in a suburb,” Mr. Vel said when she mentioned it one night. Mrs. Vel doubted that too, however. So many cars, and they couldn’t be the same car. Unless that particular car was able to circle the lot in a matter of seconds. No, that wouldn’t make sense at all.
At night, there were noises too. Deep humming noises, somewhere in the distance. She swore it started eleven years ago, but Mr. Vel said otherwise, as you might have guessed. Mr. Vel, in his button up and perpetual slouch, little more than a jelly roll of a man, never believed her. But she heard it. A deep, resonance in the air. Like someone had left the fan on miles away.
“Weren’t there more bees?” she asked one day, staring again outside. It was daylight, though the streets were empty.
“What?” her husband asked, looking up from the paper.
“Weren’t there more bees when we grew up? I hardly see any anymore,” Mrs. Vel replied.
“Course there were, but we were in the country then. Less wild things in the suburbs,” Mr. Vel said with his predictable shrug.
Mrs. Vel bit her lip. No, no something had happened to the bees. Something smoked them out. Maybe they heard the humming too?
And in 1965 the lights started. In the distance at first, great orbs of light humming through the sky. Mrs. Vel would see them, or maybe their shadows, floating above houses. Houses no one lived in anymore, and that Mr. Vel asserted no one ever had. Failed public housing, he would say. But they had neighbors, she knew that.
Mrs. Vel wondered at all this, as the dull humming in the night continued. Sometimes at sunset she would feel it before she heard it.186. 186. 1234567890. Sometimes she thought if she listened close enough, awake in her bed, that she would understand it. That it was saying something.
She started seeing things out in the houses. Men with strange long tongues hanging out, and big wide mouths gaping. Mr. Vel always looked bemused when she pointed at them, hand to her mouth.
“They’re neighbors, dear. Sure, little funny looking, but hey, it could be worse. Not any homos or blacks among them,” he’d say.
“Look at them, Bill! Look at them!” she whisper in panic. They weren’t people, not proper people. Hunched over and carrying crates in. Mrs. Vel stared as they unloaded things. Their TVs made horrible blue lights, with tik-tiking sounds on the static. Mrs. Vel knew they weren’t what Bill said. She’d park her car outside, peering inside. She saw them, flat faced, big eyed, big-mouthed creatures. Monsters, she’d mutter.
Mrs. Vel knew monsters. Her father had a cleft jaw. Her grandfather had some illness that made him swing about wildly. Something he caught overseas. She’d seen the sort of people who came back not-quite-right from the wilds. She knew them well.
She talked to a friend on the phone about moving.
“Nothing like that no,” she heard from the other end. Yes, Mrs. Vel’s friend hadn’t heard the humming either. But it was perfectly natural, she said, just the sound of so many jets these days. Did she know how many more jets flew these days?
Mrs. Vel called her son. Her son, off in college, told her that he had seen them too. She was relieved, until he told her he had seen them inside out. That they had flashing lights inside their hearts, and only ate honey. He had seen it, he explained in his dead-eyed way, in all his dreams.

When Bill didn’t come home one day, Mrs. Vel boarded up her house. She knew they did it. The humming did it. She wouldn’t go outside, she ate what she had in cans. She’d stare out the window, certain they were coming. She didn’t know if they left there homes. Maybe they were sick.
Mrs. Vel was certain that something had gone wrong. The humming was doing something to the world. It had smoked out the bees, it had messed with people’s minds. This wasn’t normal. The year was one thousand nine hundred and sixty-nine, and something wasn’t right.
Mrs. Vel saw men in suits, in every shadow. They came to her door, right up to her door, at her door with suit cases and papers. Mrs. Vel never answered. They might have made the noises. She kept as steady as ever, unmoving if she could. Mrs. Vel only made noise to nail in boards. More boards, covering everything except the window she looked through.
When Bill returned a few days later, he’d wonder at his neighbor, who never came out anymore. Poor thing, he thought, must have gotten sick. And then he would get back to his paper. And Mrs. Vel, across the street, would scream silently at night.

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The House In the Mangroves

This Week’s Prompt:13. House and garden—old—associations. Scene takes on strange aspect.

The Research: Home and Hearth

There’s a House beneath the Mangrove trees, up on the northern hill. The Homeowners Association should do something. Its an old house, been there since the sixties. Square top, square walls. The man who owns it, strange man, is old. Old and private, staring out with only one eye. Occasionally he has the decency to wear an eye patch. Sometimes he has no decency at all, and slips around the yard stark naked at night.

But the lawn is the travesty, dead brown grass stabbing up through the rocky ground. The mangroves, they make these great swooping arcs over it all. Birds like to crap on them, and sometimes it looks like a snow storm has swept through. Something really should be done, with that chic statues outside. Big smiling faces sitting on cupids. A few hunched over dog-men are placed around. They smell, the neighbors say, like formaldehyde.

The house has three floors, all with windows. Windows wide open. They always glow faint blue, and you can hear from the street the sounds of old commercials for Warbonds and football games between the static. On Saturday’s its cartoons, Looney Toons and local broadcast cartoons. The kind of cartoons that have big talking ships or strange rubber suited monsters. At least, that’s what the kids say.

Mr. Leman says there are puppets in the closet, near the crates of rat poison. Of course, in this town, it’s foolish to forget the rat poison. Rodents and pests Even if it accidentally kills a pet, like the fluff of fur in the driveway of the house. Someone should clean it up, its beginning to rot and no one wants flies. They get nasty, nipping at your feet like mosquito.

The garden in the back is well kept, large green bushes blocking out the flowers. There white, ashen things. The mangrove trees sometimes starve them, but mostly their fine. There are rat bodies in the roots, the help says. Suppose it makes good fertilizer.

He has red skin, and the doctor says his veins are bursting with blood. His blood presumably. The doctor didn’t say. The garden is well kept, lined and orderly. Some nights he snoops around, shining lights into the sky. The light pollution is intolerable. Maybe he’s signaling something. Planes or wolves in the woods. The children say they see things moving out there. Probably rats.

The Homeowners association wants to talk to him about his cars. Their old, rusting things, lumps of metal with rubber wheels. He doesn’t answer the door, but he takes in all his mail. And he gets a lot of mail. The post officer says its mostly magazines. Letters too, never packages. He plasters his windows with them sometimes.

Some men from Indonesia visit the house regularly. They stay up all night in the blue lit rooms watching television. They never drive, but don’t walk their either. Just there sometimes. Something really should be done.

He had chains and barbed wire delivered once. The convenience store owner saw him taking dirt out of the basement. Needs more room, he said. Needs more room. The state should investigate, if your allowed to do things like that.

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